The instructions were clear and precise: insert piece A into gap B, tighten with Phillips head screw driver, taking care not to over-tighten and strip head. The diagram which accompanied the instructions was a carefully rendered outline of the schematics of the kit, depicted in a manner which was probably hand drawn, but not by an illustrator with any pretensions to the avant garde or abstract expressionism. The diagram seemed almost cheerful, optimistic, as if piece A and gap B had been dancing a samba together in the moonlight, and were excited to be a part of the kit. While the instructions themselves didn't have any particular subtext or narrative sense (aside from a brusque delivery of the pertinent facts, resulting in the successful installation of the piece), the overall effect was one of optimistic accomplishment, in the take charge manner of the do it yourself pioneer.
The problem with constructing a life by constructing a project is that the best kit in the world can't compensate for operator error. So let's not blame the kit; it was designed and engineered to be a confidence building project, and every piece was labeled and color coded and matched the schematic and lined up with the instructions. When blaming the operator -- even when one is merely accepting the blame as the failed technician -- it is traditional to offer the socially accepted apologies and excuses. There's dyslexia, and being uncoordinated, and being distraught, and not having the tools, and losing key pieces. Any and all of these personal depictions of excusable failures I could lay claim to and be instantly absolved for my sin of incompletion. All of these choices are laid out for me, stories loose in the air, ripe for incorporating into why the project never materialized.
If only, alas!, they were true, I would tell you a tale of school woodshop classes littered with surreal birdhouses whose pieces never fit; of maps and directions unreadable because of the most basic philosophical consideration, what is right? and what is left?; of the heartbreak of losing a house to fire or flood or the apocalyptic horrors of losing a series of houses to fires and floods; of having a mind distracted by terminally ill parents and a dog with an inflamed heart; and with any of these considerations, thus, the unfinished project, merely an attempt to alter the nature of the universe, doomed from the start, and so no harm done.
Yet in good conscience I know none of these things are true, I know it would be taking advantage of your generous nature to claim any of them. The fault clearly, distinctly, lay within the relationship between my intentions and my actions, and the inability for the brain to coordinate between the eyes and the hand, the utter failure of cognition upon demand. There were the instructions, pages 1, 2, 3, front and back, helpful cheerful diagrams, pieces labeled, color coded, and then, me. Phillips head screwdriver, wood glue, carpenter's tape, ruler, pencil; all to the fore. And then, at the moment of commencement, of reintroducing the pieces to one another, I thought of you.
I don't know why this happened, you were never surrounded by the parts of a project, these were not your tools. You have been absent for so many waxings and wanings of the moon that I can almost forget how we would stay out in the evenings, waiting for the moon to rise, on cold, moonless nights walking for miles, hats pulled down over our ears, scarves wrapped around faces, hands scrunched deeply into pockets, waiting until the wee hours and the early arrival of daylight to illuminate the place in the sky from which the moon was absent, then returning to hot chocolate, the newspaper, toast, marmalade, soft boiled eggs, the day passed in the arid haze of the exhausted.
The depictions of the pieces that accompanied the instructions: there was something in the angle of piece A that reminded me of how you would hold your head, just so, inquiring: did I really say what you thought I just said? Was my theory reasonable given the current known laws of the universe? And then your eyebrows would dray together, ever so slightly, and you would withdraw into yourself, absently tap a finger against a coffee cup or the table or the cat, who never complained, sometimes not speaking for hours, suddenly grasping a piece of colored chalk and writing or sketching on the wall or the table or the ceiling until whatever thought you had completed was illustrated in symbols and sketches that became smudged and incomprehensible an hour or two later.
My walls now are clean. There is no chalk dust in the air. The ceiling is not covered in impenetrable hieroglyphs which only you could understand, and then only in moments of the deepest grace, when the hand of god revealed itself to you. The cat gazes into space, just as cats always everywhere do, and seems to see you, or to feel you tapping your finger as you used to, but cats are strange creatures, perceive things we cannot even imagine, much less comprehend, you always claimed. Maybe. Maybe there are just mice in the walls of this old house, scurrying between nests and food stores, and the cat, grown less agile with time, spends greater effort listening to the almost silent maneuvers of the mice.
Once I am thinking of the tapping and the chalk and the diagrams that covered every surface, it is almost that it is winter again, another desolate walk waiting for the moon, watching the tides crash against the cliffs in the earliest light of day, and I remember what you would always say, there, just at the point when the sun hit the water and before it outlined the ghost of the moon: Patience. Watch. Those were the only words that ever accompanied those nighttime searches for what wasn't there, repeated as a catechism at the last moment of the meditation on the unknowable absurdities of life. I never understood what you were trying to say, why those were the words that had to be said, how I could match the patterns that coalesced in your mind and baffled my most dedicated attempts to unravel. Patience. Watch.
And so, with pieces of the kit all spread across the floor, I sit back, stare into the middle distance, mirror the cat, listen for sounds that aren't there, sights that never materialize. Sometimes I think there is something tingling, just on the edge of my vision, then I blink and it is gone. The room has grown darker with the passage of the afternoon sun, the kit in disarray, and without glancing at a calendar I am aware, as I have always been aware, that this is the night of the new moon.
How long has it been since I have walked through the night? How long has it been since you held your head at just that angle, and retreated into the machinations of your head? How many projects have I assembled in a space free of chalk dust, old newspapers, lingering silences, in the space that has grown between when I knew you and when I knew you not?
Yet it is the new moon. The kit will never be completed, for there is too much now of you in it, and I reach for my coat, the same coat, the same hat, the same muffler, the same gloves, and I walk, and walk, and patiently watch, and wait. I have entered your story again, the story of the unseeable and unknowable, and the world I have built for myself of carefully assembled pieces designed and manufactured and shipped some assembly required tools needed instructions enclosed is suddenly no longer there for me. It is not that I had a breakdown, or suffered a stroke, but that so easily somehow you pulled me from the world of the concrete into the world of the symbol and the suggestion, without ever being here.
So I forsake my accomplishments, my kits, my narrative progressions to completion, and prepare to walk into the darkness, knowing you won't be there, but having patience. I will watch, without instructions or diagrams, with only the memory of the chalk sketches and symbols covering every surface to guide my next steps into the universe.
reading
finally finally finally went to the Museum of Natural History. Meteorites are cool. Dinosaurs are cool. What fun indeed, plus two newly found bookshops!
weather
we've had tornadoes, which is crazy
