
Why is she standing, thus, in the center of the frame, hands on hips, shoulders thrust back, head held high, a full grin competing with oversized glasses for domination of her face? Standing, proud, before a pomegranate red wall, coarsely painted, an abundance of stew pots hanging from nails. A crocheted gods-eye pattern pot holder, a sink surrounded in blue wave curtains.
The pride of possession, the pride of competence, the pride of a son just returned for a visit from the city, bringing with him a new camera, the most advanced seen in the village; bringing with him a new wife, a young grandson. Her pride is fired not by the possessions behind and around her, but mirrors a sense of relief, certitude, achievement, impressiveness situated not in the woman, the subject, but in the camera, the person behind the camera.
The son who went away to university in the city, never quite promising to return, but remaining dutiful through letters, phone calls, post cards; never quite visiting, but always a source of conjecture and conversation amongst the villagers. The engineering degree, the full time corporate job in the city, the new, beautiful wife, the cherished son, and finally, after so many years, the flashbulb illuminating the juncture between past and present, the joy of the visit, the dichotomy of the worlds.
Everything cleaned, pressed, cooked, prepared in readiness for this visit: a seafood stew, a watermelon salad, a roast pig, fresh sheep's cheese. Cakes and pastries and strong wines and stronger coffees and everyone crowded together in the tiny house in the village, the rooms filled with the town folk, the grocer, the teacher, the mothers, those who remained, everyone greeting the visiting son. Everyone tallying the car, the haircut, the manicure, the clothes, the manner of the wife, the baby, to compare.
To compare and embrace, or to compare and find wanting? Will the mother accept the wife, will the neighbors accept the son, will they be judged open-hearted, warm, still part of the family; or will they be relegated to the chiding due to those who left, or those who are now above the village.
The baby may coo, or the baby may cry. The wife may be car sick, have a headache, by overwhelmed by travelling through the mountains with an infant; or she may be disgusted, horrified, appalled at the petty grievances and the confined geography of the villagers; or she might be warm, polite, endearing to a group who remind her of her own extended family. No one has met the wife before; she looked impossibly beautiful in the wedding photograph, but they do not know whether to be proud that their young man married such a creature, or to be offended that he sought a partner not a part of his past, of their world.
A world circumscribed by the market on Wednesdays, the fresh fish, the gossip at the butcher's, the attendance of Mass, a weekly afternoon ladies' tea, the calendar and the map formed by a host of small details, woven so tightly together that the outside world disappears. When some ambitious boy tears through the net, breaks free, the villagers are simultaneously impressed with his bravery, his ambition, while feeling rejected, discarded. When a girl departs, it is even more difficult to allow her to leave, to water her resolutely turn towards the city or a man and fall into the reach of the treacherous worldliness awaiting her.
But for the sons! The tears of heartbreak mixed with the swelling of appreciation, leading to this one point: the moment of return, for a week, for a month, for a year; for Christmas or to raise a family; the moment to judge the man who returned against the boy who went away.
And so the mother stands in her kitchen, the house scrubbed relentlessly over the past week, glimpsing the person her son has become, intimidated by the youth and grace of his wife, thrilling at the infant. In these first moments of the visit the ecstasy of the return has not yet become bittersweet; in the rush to greet and introduce there has not yet been time to sulk or cry or feel alienated or overwhelmed or disgusted: there is only recognition, and potential.
Tomorrow they will visit the cemetery, walk towards the sea; Sunday they will go to Mass and meet the village at the afternoon luncheon; but here, now, in the present, stretching out from the car, entering the kitchen, the same pomegranate red kitchen, and seeing the stockpots, the same dozen stockpots, and out of it all, there radiates welcome, a cup of coffee, anise seed cookies, a clean diaper.
The miseries of a too adventurous childhood, the demands of a too observing township, the brutal drain of projection and expectation are memories and fears that will keep, in the back of the closet, for now is the moment of arrival.
The light in the mountains has not changed: it is thin, crisp, clear, a golden hue washed out in the fading afternoon. The groves of trees have shrunk from the towering heights of memory, even though they have only grown in the intervening years. The addition to the Church has been completed, a new bell hung, a gift from the mayor, calling out crisply and echoing against the old bell's softer tone.
Everything seems smaller, dustier, like looking in a toy shop or a museum, and some of the buildings no longer match what they once were: either the memory has shifted or the town has shifted. The grocery story burned down from a wood fire left unattended, and was replaced by a modular concrete structure. The school still needs to be painted, the school yard still full of pebbles and unkempt weeds; but the school teacher, new, a replacement for the ancient school master, and now a woman from a city, not yet accepted.
The streets are narrower, the town smaller, the olive groves and grape arbors older and sweeter, the people shorter, the air sharper. Somewhere beneath the stucco and wood houses are the thousands of memories of being a boy, of adventures, of goals, of expectations, and around every corner, the anticipation of becoming eight years old on a July afternoon, and the mingled relief and disappointment of a wife, a child steady at the elbow, compatriots of a different type, chasing away the shadowy memories, echoes from the past in the empty footfalls on the town square.
reading many Dover pattern books
weather cold cold cold