Pigeons. Pigeons everywhere, strutting back and forth, cooing at one another. In amongst the pigeons dart swallows, sharp-eyed opportunists whose heads are held at a precise angle, asking after the mysteries of the universe, requesting a moment of attention, a kind word or a sunflower seed, before darting back to the games they play in bushes and the boughs of trees. Every so often there is a morning dove or a crow, but these carry the mark of outsiders, not belonging in the gathering of birds in front of the fountain.
The note which brought me here was precise, succinct. I didn't recognize the handwriting; but then, I didn't need to recognize the handwriting. I had taken that which was not mine, and for weeks, now, I had anticipated just this summons. Would it be a matter of reparations, of indentured service, of some more obscure but equally effective form of payment? Would they be prone to things having gotten innocently confused, a crime not of intention but of crossed paths? Would they question my motives, my knowledge? I was not worried; there did not seem any immediate cause for concern, as my presence, though undoubtedly inconvenient, was likewise inconsequential. I would apologize, return what belonged elsewhere and continue forward with my plans for the immediate future. Purely an innocent mistake, no harm done.
The man who sat next to me on the bench was reading a well-worn paperback of a lesser Hemingway, wore a woolen hat, the type one associates with aged chauffeurs in British period dramas, seemed to have no intention of leaving the bench anytime this afternoon. While I had no desire for there to be witnesses to the return of the items, all of the other benches were occupied by au pairs pushing strollers or the obviously homeless and potentially schizophrenic, and the message specified the benches by the fountain. I looked about at the walkers in the park, curious how many would be arriving, what age, ethnicity, gender, and shrugged at the unimportance of it all. Who they were wasn't my business; who I was wasn't their business.
A few teenagers on skateboards came through the plaza, temporarily scattering the pigeons, working on jumping with the boards, having them flip in mid-air before landing. None of them were successful, though only one actually lost contact with the board, had to flip it right side up before continuing with the group. He seemed unperturbed at the failure, none of the other kids gave it a second glance; they just circled the fountain, once, twice, every so often adding a jump or a flip, before leaving towards the other walkway.
A group of kindergarteners all in uniform, holding hands in long lines punctuated by colorful galoshes, gathered, became a swarm, swelled in number as they waited by the fountain for one grown up or another to verify their destination, their timetable. Kindergarteners live in an inner world where timetables do not make any type of sense; they are pushed and pulled to fit the schedules and itineraries their lives are choreographed to, accept the dictates without ever comprehending a tense other than the present. One of the girls has pigtails, carefully curled, and in a moment of oversight lapse she is in the fountain, with yellow galoshes marching towards the figure of a rabbit in the center, pandemonium among the other children who think this is a very good idea and panic from their guardians who are unsure how to prevent the entire class from going wading.
I am blocked from seeing the outcome of this field trip by the arrival of four perfectly matched burly men in blue striped suits. Everything about them proclaims brawn over brain; they could not have been more coordinated without undergoing genetic therapy or plastic surgery. Some Hollywood talent agency would be ecstatic to have access to such a quartet, and in all likelihood if they looked less central-casting and more man-of-the-street I would have been more nervous. As it is, I struggle not to laugh, then and there, at the stereotyping of the scene, but am equally certain none of my sudden companions would appreciate the joke. The Hemingway acolyte glances over, raises an eyebrow, returns to his story.
A grunt seems to indicate that I am to accompany the men to some other destination: perhaps the coffee shop in the converted greenhouse, or towards a part of the park with fewer children, or perhaps I am delivering the package to someone in a wheelchair or with crutches or with some other mobility impairment. Regardless, there's no reason not to go, the children are screaming for all they're worth at being taken out of the fountain, and I could quite do with a cup of coffee. It seems strange that none of the men attempts to take my delivery, but this also confirms that it could not possibly be of particular importance, as they are in no rush to relieve me of the burden.
We walk, two forward, two behind, and though it feels like overkill there is no sense of aggression or threat. Neither do I feel protected: more, it is like marching band formation, all together but only a distant leader, tracing precise steps forward across the field. That I do not match the foursome is unfortunate, it throws off the aesthetic of the promenade. The march they have internalized owes less to Sousa and more to Vivaldi, the steps are quick and short and light, not heavy and measured. If they were svelte instead of burly, if they were wearing royal purple and crimson instead of pinstripes, I would say they were hand-picked members of the Swiss Guard, flown over specially from Vatican City, so gently do they walk. Instead, their footfalls reinforce the cinematic quality, the choreography of a Fred Astaire or a Fellini preventing a situation from becoming Hitchcockian or noir.
We walk straight past the coffee shop, I notice with disappointment, then past the ice cream stand, then past the entrance to the aviary. We are headed further into the park, into the territory of the picnickers and the bocce players and the frisbee games, and up ahead some type of youth group is setting up a volleyball net. Our pace stays consistently light, unhurried, and a yellow lab breaks through the formation in pursuit of a tennis ball. More dogs have gathered in this area, an impromptu dog park, lacrosse sticks used to play fetch, all manner of breed and owner gathered together in the late afternoon sun.
A German shepherd has started keeping pace, precisely twenty inches to my left, matching our progress, and as none of the four seem either surprised or bothered by the growing entourage, I don't pay particular attention one way or the other: dogs are dogs, and this one, though beautiful, doesn't seem inclined to aggression. As we leave the field of dogs behind, I realize a puppy is tagging after the shepherd, who is too well behaved to notice it; the men likewise act as if the puppy isn't there. It joins the procession, which I begin to feel must look ludicrous, but no one in the park is paying us any heed.
Up ahead is what can only be a family reunion, all matched noses and oversized ears and a flurry of mirrored hand gestures, ways of holding cups, that separates blood relatives from those who married into the fold. There is no similarity between my four escorts and the group we are approaching, but something indicates that this is our destination, that I will here be able to return that which is not mine before returning home. The crowd parts, we approach a woman with carefully coiffed hair, a cane, and I hold out the bag. She gestures for me to set it on the table, but not to open it: no one checks its contents. Suddenly I am being handed a glass of wine and welcomed to the event, and it is just as obvious that I will not be allowed to leave before the party has disbursed as it is confusing what I am expected to do during the interim. The four men station themselves at the corners of the tent, and I make social chitchat with these people I do not know, waiting for the explanation of why I am here, now, and for what purpose.
weather
tornadoes, earthquakes, and hurricanes? In rural western Massachusetts?
reading
Les livres ne se font pas comme les enfants, mais comme les pyramides, avec un dessein prémédité, et en apportant des grands blocs l’un par-dessus l’autre, à force de reins, de temps et de sueur, et ça ne sert à rien ! Et ça reste dans le désert ! Mais en le dominant prodigieusement. Les chacals pissent en bas et les bourgeois montent dessus, etc., continue la comparaison. (Gustave Flaubert, cited in Albert Thibaudet’s Gustave Flaubert, 136)
Translation from Flaubert's Parrot / Julian Barnes:
Books aren’t made the way babies are: they are made like pyramids. There’s some long-pondered plan, and then great blocks of stone are placed one on top of the other, and it’s back-breaking, sweaty, time-consuming work. And all to no purpose! It just stands like that in the desert! But it towers over it prodigiously. Jackals piss at the base of it, and bourgeois clamber to the top of it, etc. Continue this comparison.
